Saturday, April 19, 2025

Police Battle Black Protesters of "The Birth of a Nation" in Boston

Headline from  the Boston Globe April 18, 1915 and William Trotter Monroe

April 17-21, 1915, Boston, Mass.- Boston is not historically known as a racially harmonious city and in 1915 this was certainly true. However it was also true that the controversial D.W. Griffith film “Birth of a Nation” was surprisingly unwelcome in the city. Both White and Black residents had spoken out and the White supporters and membership of the NAACP chapter had meetings with the mayor on using the existing state censorship laws to outright ban the film. The “Birthplace of Liberty” was rejecting the false history presented by the film.

Griffith’s film was at least partly based on the 1905 book “The Clansman” by Thomas Dixon Fr. Both the film and the book were unapologetically pro-South and against the Reconstruction era. In fact, this was one of major landmarks in the development of the “Lost Cause” myth that romanticized the Antebellum South and the Confederacy. The popularity of the film led the rebirth of the Ku Klux Klan in the post WWI years through the early 1920s.

The film was protested by Black citizens in over 60 cities, but this hadn’t made dent in it’s popularity among White audiences. It didn’t help that President Woodrow Wilson had held a private screening and seemed to be impressed with the film, although the often quoted, "It is like writing history with lightning. And my only regret is that it is all so terribly true, " is believed by Presidential historians to be false.

In Boston civil rights activist and publisher of the Negro newspaper The Guardian William Monroe Trotter had been working with the NAACP to try and convince Boston Mayor James Curley to get the film banned under the broad censorship laws of Massachusetts, they had also approached Governor David I. Walsh, who had tried to get an emergency injunction through the state legislature and failed. Trotter had not been in the front of these actions because he wasn’t a supporter of either politician and had stated that working within the system that didn’t offer civil rights to the Black man wasn’t a system that could be trusted.

Trotter was the type of man who considered abrasive by many and had already had a falling out with President Wilson because he was radical, angry and Black. The Guardian was a paper that supported Negro Rights and justice for Blacks. Trotter was against the accommodationist policy of men like Booker T. Washington and spoke out against it. His falling out with Wilson came when the two met to discuss why Wilson was segregating federal employment in November of 1914. This meeting did not go well as Wilson was committed to the segregation of government employees and saw no problem and Trotter said it was insulting as it showed Wilson did not think the Black man as equal. Wilson did not respond but told Trotter, "If this organization wishes to approach me again, it must choose another spokesman ... your tone, sir, offends me."

Despite the growing protest of Blacks and their White allies in Boston the Tremont Theater was committed to showing "The Birth of a Nation". They had hung the Confederate flag outside the theater. All week Trotter witnessed this way of attracting viewers while hearing complaints of illegal discrimination. This was supported by Trotter’s friend William D. Brigham who was White but had seen tickets sellers tell Blacks that tickets were all sold out or the only ones left were the more expensive ones in center stage.

So, Trotter decided that evening to attend the film at the Tremont. About 7:00 pm Trotter left his office with his friend Aaron William Puller, the minister of the People’s Baptist Church. Word had spread and when the two civil rights leaders intended to see the film. About 100 other Blacks had joined them walking to the Tremont.

At 7:30 Trotter and Puller entered the theater with about a dozen other Blacks. Trotter approached the ticket counter and asked for a ticket. He was told that none were available. Trotter responded by asking why there was nothing saying so. “’But you have no sign out to that effect, neither here nor at the outer door, and I demand my rights,” Trotter had said with low anger.

Then a White couple stepped up to the counter and bought tickets. Trotter had repeated his statement that he was demanding his rights. At this time a plain-clothed officer stepped up to Trotter and hit him full in the face. A fight immediately broke out between Trotter’s supporters and the large group of Boston police who were on the scene. Trotter was kicked and punched and then put into hand cuffs by two police and they dragged him 15 blocks to the police station. Minister Puller had attempted to call for peace but was also punched and then a large officer put him in a choke hold and still in the hold was dragged the 15 blocks.

Eleven other Blacks men were arrested in the melee. It wasn’t a riot but a fight between Blacks and police where the Blacks were badly outnumbered and beaten. All of them were released the next day without immediate charges but warned not to challenge the theater again. A rally for Trotter and Puller was held at Faneuil Hall and a crowd of 1,500, both Black and White had come. Trotter called the film a great incentive to racial violence and that if there were an actual lynching that Mayor Curly would be responsible.

Two days later, using the momentum of a city that considered itself progressive compared to the Jim Crow South Trotter led a march on the state house where he and a recovering Puller met with Governor Walsh, the chief of the state police, and others to discuss the film and all the complaints that had come at Griffith in Boston and other cities. Including why Chicago, Pittsburgh and Denver had refused to allow the movie to be shown.

This meeting led to the creation of a censorship board to review the film. Two weeks later a mass meeting was held at Minister Puller’s church, the Twelfth Baptist Church in Roxbury. At this meeting Trotter introduced a resolution condemning Boston police action at the Tremont Theater. However, the National Independent Political League Lawyer Joshua Crawford said, "We are not going to stop. The film has got to go or they will have to put us in jail."

While it appeared, there was a strong movement and a possibility of getting the film censored in Boston that didn’t happen. Trotter appeared in municipal court where the judge did find the Tremont Theater had used unfair discrimination in selling tickets, a legal victory. The same judge also fined Trotter $20 (Approximately $630 in 2025) for disturbing the peace, stating that someone with Mr. Trotters influence was such that his conduct was inappropriate and that if people were wronged, he should have tried for redress in the courts or legislature. The censorship board also decided that the Tremont Theater could continue to show the film. So as Trotter always believed the system was unfair to Blacks.

Even though the protests continued it made no impact on the box office, for the time The Birth of A Nation was the biggest ticket sales event of the silent era. There was no official box office that early in film history, totals have been adjusted for inflation for anywhere from $5 million to $1.8 billion both ridiculous conclusions. Factually what id known is that it had a cultural impact well beyond what any film critic or even film historian believes it deserved.

Trotter continued to be seen as a radical even within Black activist circles. His anti-establishment positions and anti-WWI activities caused him to lose support and in the Red Summer of 1919 when White on Black violence had reached an extreme with race riots across the country but Trotter wrote of rebellion and how Whites would soon regret how “Uncle Sam” had trained Black soldiers. While Trotter came from rare Black wealth he had lost most of it in his activities and in publishing The Guardian. He fell into a form of elegant penury still maintaining his social refinement while borrowing on the means of others. His wife and partner in protesting died in the great influenza of 1918.

Through these years of decline he still published The Guardian and used it as a voice of protest. He reported on lynchings, anti-Black laws, censorship of Blacks and anything that he felt targeted Blacks and showed unequal treatment. He eventually  was found dead April 7th, 1934. He was 62 years old and was found after some type of fall from the roof of his home. While it is speculated that he did commit suicide because it was know he had been extremely depressed however there was no definite evidence supporting anything specific.

Trotter is considered among the 100 greatest African Americans in U.S. history. There are several schools named after him and his home is a landmark and museum.

 

Sources:

https://www.bpl.org/blogs/post/black-history-boston-william-monroe-trotter-and-the-fight-against-the-birth-of-a-nation/

https://tinyurl.com/ypp7re32

https://www.wgbh.org/news/local/2014-11-21/the-birth-of-a-nation-revisits-century-old-racial-tensions

https://iu.pressbooks.pub/thebirthofanation/chapter/birth-of-a-nations-long-century/

https://www.salon.com/2014/11/30/race_riot_in_the_south_end_the_movie_that_reignited_the_civil_war/


 

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